Jakob Dellacher’s new photo book Polar

Jakob Dellacher’s new photo book Polar is one of those works that doesn’t just accept, but fully embraces the idea of skateboarding both as the next ephemeral mundane phenomenon and, simultaneously, as a commonly crucial prism into, reflection of, and translation tool for the wider human reality where it belongs. On equal terms juxtaposed with the author’s grandfather, Peter Breitfuss’ own photographic works through the same countries while we were roughly the same age in a sense kill all possible mythification of skateboarding all the while expiring its essence for the onlooker to breathe in. Regardless of the era, context, difficulties, horrors, pollution, bullshit; what really shines through those temporal parallels (that are not without being reminiscent of Richard McGuire’s) is the undeniable beauty of the world and activity of the living. The comparisons and emerging patterns spontaneously work as a filter for different levels of importance, focusing more on the sceneries, smiles and thoughts than on an Earth core certain merchants would have it to be made out of urethane. Skateboarding is put back into its place as an accessory — but its omnipresence on the more recent scenes only make it all the more meaningful as a universal toy that fundamentally is designed to decipher the world.

This year at Vladimir, Jakob will be present for a Polar project-related talk and photo exhibition at Fort Forno, Barbariga; so get ready to split that cab, walk through the forest then along the coast, and then maybe jump some rocks — it is not to be missed.